Monday, October 22, 2012

The Deep Blue Sea

The Deep Blue Sea

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The Deep Blue Sea

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SPOILERS: For those of us who have ever been in a toxic relationship; this movie will resonate with you. No matter historical timeframe or culture this movie will strike a chord within you and you will completely understand the actions of the main characters. I wanted to hate Freddie, I really did, but I didn't. He never lied to Hester about their relationship. There were no false professions of love and adoration. He didn't ask her to do what she did to be with him. Hester could not handle the overall guilt and shame of being in a relationship with him. Freddie had to leave her to save her. In his own damaged way he showed her he loved her by leaving. I gave this movie 4 stars because like a previous review it was dis-jointed in places. Overall it was very good and the acting was superb. Like I said if you've ever been in a toxic, no win, relationship; this movie will have meaning for you. Oh and unlike a previous review you don't have to be British to understand it.



The Deep Blue Sea

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Spy Kids 3: Game Over

Spy Kids 3: Game Over

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Spy Kids 3: Game Over

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This is the first hollywood blockbuster released in field-sequential (FS) 3D. The red and blue glasses were used in the theaters and in the first DVD release, but this release is much better than the first. This version works with the shutter-glasses type of 3D system, which is fairly easy to get your hands on. It's available at Amazon in the Ultimate 3D Collection, which comes with 3 3D Imax flix (stay away from the Ultimate 3D Horror Collection! The three films that come with it are not genuine 3D films--read my review there). This type of 3D really pops off the screen in full color without the distracting red/blue glasses, and it's quite amazing that a mainstream movie has been converted to a somewhat underground viewing format. "3D Transitions", another FS DVD here at Amazon is a good companion to this. I have also purchased the HQFS (High Quality Field Sequential) version of Santa vs. The Snowman, but I haven't had a chance to watch it. Also, there are numerous older 3D movies available for this system, but most are less-than-legal versions of Jaws 3D, Friday the 13th Part III in 3D, House of Wax, It Came From Outer Space, etc. These are easy to find on auction sites as well as some private sites.



Spy Kids 3: Game Over

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Sunday, October 21, 2012

To Catch A Thief

To Catch A Thief

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To Catch A Thief

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After reading the gushing, swooning review from the DVD critic in last Tuesday's NY Times, I immediately ordered the "Special Collector's Edition" of TO CATCH A THIEF from Amazon. When it arrived, I compared it to my original Paramount "Widescreen Edition" from 2002. Well, the critic was right--there's simply no comparison. This new version has a 2.0 Dolby Surround soundtrack (in addition to the original mono version) and a cleaned-up, enhanced, crystal-clear picture, start to finish. It looks like they took the drab, blurry, faded old stock and actually washed it, removing years of dirt and grime and smoke and hair and whatever else was there, not to mention a computerized removal of virtually all scratches and glitches. The result is astounding.

As for the color, see for yourself. Pay close attention to the first car chase down the mountain, the meeting in the flower market, and the costume ball near the end. Not to mention the many night scenes on rooftops, where everything is now much more visible than before. And Grant and Kelly? Well, the two most beautiful people who ever lived look even more beautiful. Wait till you see the famous fireworks scene now!

I don't have to tell you that this film is wonderful, no matter which version you have. But I can guarantee you that this newly restored version makes it seem better than ever. If you're as nuts about Hitchcock as I am, it really is worth the upgrade. Enjoy!

Update (11/8/2009): The new To Catch a Thief - The Centennial Collection (1955) (2pc) is essentially the same as the 2007 "Special Collector's Edition," with the same upgraded print. This review applies to both editions.



To Catch A Thief

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The Descent 2

The Descent 2

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The Descent 2

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The Descent didn't need a sequel. It was a pitch-perfect horror film, one of the best I've seen in the last decade or longer, that incorporated high amounts of tension, a desperate struggle, some amazing jump-out-of-your-skin scares, great characters that you actually cared about and just the right amount of gore. I loved that film. Its original UK ending was also such a great, sad and interesting way to close it out. But apparently, The Descent: Part 2 decides to forgo that horror classic ending and instead uses the American/"happy" ending. It's interesting to note that the sequel is "Part 2" as opposed to simply The Descent 2. It indicates that it is an extension of the first film, as opposed to a sequel. As such, to discuss Part 2, I'll have to talk about the first one. You've been warned.

The American ending of The Descent finds Sarah crazed and amnesiac with fear of her plight from the previous film, running to a rescue truck. During the time she and her team have been lost, the local sheriff has started a search party for Juno, who not only was left for dead by Sarah for her infidelity and a misunderstanding, but is also a senator's daughter. Sarah is taken to a hospital where said sheriff, Sheriff Vaines, decides that not only is Sarah a suspect in the missing spelunkers (for her shirt was covered in blood) but that she must go back underground to help locate them. Never mind the fact that this probably wouldn't happen in real life because 1) she's obviously hurt 2) mentally unstable and 3) uh...she has no memory, remember? Also forgetting the fact that it seems awfully coincidental that she happens to not remember that the cave system is swarming with cannibalistic creatures, we now have a reason for more bloodshed.

That's pretty much the movie in a nutshell. Part of the reason the first film was so powerful and shocking was because director Neil Marshall used two different types of terror and helped add some twists to his film. The first part had a claustrophobic, fearful feeling that maybe you were going to be watching Alive...Underground. But once that type of horror was getting a little stale, he does a complete 180 and now they are fending for their lives against some unknown group of carnivorous cave dwellers. It was expertly filmed and paced to perfection. Part 2 tries to ape that same style. It has the same opening credit sequence, has a similar overall motif and even the same music. In a lot of ways feels like a retread...except nowhere near as good. Again you have a group of people who have no clue they are being hunted by monsters. Again you have a small cave-in that causes the group to be splintered, etc. etc. The only problem is that you, the viewer, is in on the twists this time and it really just gives the entire film a "been there, done that" feel. To counter-balance this, Part 2 almost turns into a gross-out "comedy," where Jon Harris (the director) finds more and more ways to drench his protagonists with blood and finds various ways to make sure that blood pours into someone's mouth. I think this happened at least two or three times. It was almost comedic.

The final nail in the coffin is that the characters this time aren't anywhere near as interesting or developed as in the first film. They quickly turned into crawler fodder and their only reason for being there was to be offed in various ways. Only problem is that, in the first film, I cared. In this one, I didn't. What a let down.



The Descent 2

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Saturday, October 20, 2012

Dead Man's Shoes

Dead Man's Shoes

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Dead Man's Shoes

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"Dead Man's Shoes" starts as an ordinary revenge flick. Its only zest, as I thought in twenty minutes after the beginning, was that the action takes place in a little suburban English town, and that adds a little coloring to the commonplace theme. And just how great it is when films don't fit your expectations, and I mean when they end up being much deeper and thoughtful than you could ever imagine.
The subject of revenge has a lot of ground beneath it to philosophize and make smart films. But writers and directors don't always push the envelope, limiting themselves with a poor choice of story-lines and developments. Hence we get stupid exploitation flicks (no offence - I love them myself). But if creators of a picture are willing to use their brains at full - we get a chance to see outstanding examples of a very good quality cinema (I'd recall "Se7en" or "Unforgiven"). "Dead Man's Shoes" is absolutely such an example. It's a shame the film is not well known because it really deserves to be.
Richard is coming back from the army to his small town. He's got one thing on his mind - to punish the gang of local small-time drug dealers who bullied and tormented his younger retarded brother. And his vengeance will be severe... That's it, I'll say no more, because closer to the end the movie turns out to be not exactly what you expected it to be. It's thoughtful and extremely powerful, it has twists, it's an exploration of a man's madness, of his slow descent into insanity, it's about hangman and victim and about how difficult is sometimes to tell the difference. It raises serious questions and it will make you ponder. I was utterly surprised - what started as a banal vengeance movie then turned into something vicious, grave and not at all light-hearted. The acting was just compelling. Paddy Considine ("In America", "Cinderella Man") created a very truthful and unforgettable character, Toby Kebbel, whom I haven't seen before, was just amazing as mentally-challenged Anthony, and as a thug leader we can see Gary Stretch whose face you'll never forget if you've seen him once.
I haven't heard about director Shane Meadows before, but now I'm definately going to trace his career, for "Dead Man's Shoes" is not just one of the best British films I've seen, but it's one of the best films I've generally seen.
Try to catch this film, I'm sure you won't regret it.



Dead Man's Shoes

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Peppa Pig: Flying a Kite and other stories

Peppa Pig: Flying a Kite and other stories

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Peppa Pig: Flying a Kite and other stories

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This was a great compilation of Peppa Pig shorts. I originally bought this for my 2 year old, bit I often find myself enjoying it as much as he does. I wish Amazon would have more Peppa Pig videos available.



Peppa Pig: Flying a Kite and other stories

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Friday, October 19, 2012

101 Dalmatians (Live-Action)

101 Dalmatians (Live-Action)

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101 Dalmatians (Live-Action)

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Disney remade their classic animated film of the same name 35 years after the original, as a live-action movie in 1996. The tale is familiar to most: two Dalmatians, Pongo & Perdy, bring their owners together. Roger (Jeff Daniels) and Anita (Joely Richardson) fall in love almost at first site when they meet in the park. They get married and their Dalmatians have puppies. Sounds like a lovely romantic tale, right? It would be if it weren't for Anita's boss, the evil Cruella de Vil (Glenn Close). Cruella is a fashionista who loves fur...and her latest desire is to own a coat made of Dalmatian fur. When she learns that Anita's dog has had a litter of 15, she sets her sites on them to make her desire come true. Anita & Roger turn down her offer, so she sends her bumbling minions Jasper & Horace (Hugh Laurie & Mark Williams respectively) to steal them for her.

Does it equal the original? No, not really...but this is not a surprise. How could you top Marc Davis' animation of Cruella, one of the most memorable characters in animation history? Still, you have to give Glenn Close much credit for making Cruella her own...remove her and you have little reason to watch this film. With her fright wig and amazingly over the top costumes, Close truly comes close...she is an evil delight to watch as she barks orders (pun intended) and does everything in her power to make the fur coat a reality. Laurie (now starring in the hit series "House") and Williams are excellent as her bumbling henchman. The animals are also lots of fun to watch, as they often show that they are much smarter than their human counterparts.

Note to parents: this movie is somewhat darker than the animated versions, with a few creepy scenes with the taxidermist. Nothing major, but still parents might want to be careful as Glenn Close's characterization is more frightening and nightmare inducing than her animated namesake.

Sadly and surprisingly, there are no extras on this DVD other than a theatrical trailer. The widescreen (2:35:1) picture is excellent (enhanced for 16x9 TVs), and there is a wonderful Dolby Digital 5.1 Surround mix.

Overall, an enjoyable film that is bumped up a few notches thanks to Glenn Close's performance.



101 Dalmatians (Live-Action)

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